THE HOODIE

THE HOODIE

30 November 2019 - 12 April 2020
Het Nieuwe Instituut, Rotterdam, The Netherlands
Group Exhibition

Drawing from Studio Orta’s archive, the Het Nieuwe Instituut have selected a series of large-format photographs of Lucy Orta’s Refuge Wear interventions from the early 1990’s to dialogue with a collection of objects and clothes that consider the role of the ‘hoodie’, as a carrier of socio-political messages. More info here.

THE POSTHUMAN CITY

THE POSTHUMAN CITY

23 November 2019 - 23 February 2020
NTU Centre for Contemporary Art Singapore, Singapore
Group Exhibition

As part of their ongoing collaboration with the NTU CCA, Lucy + Jorge Orta present works from their OrtaWater series, to further explore the possibilities of coexistence and sharing of resources. Water from a local river source will be purified and distributed through a network of pipes linked to the artists’ work, transforming the sculptures into pedagogic tools. More info here.

Tree Time

Tree Time

29 October 2019 - 23 February 2020
Museo Nazionale Della Montagna, Turin, Italy
Group Exhibition

During Artissima Turin, Lucy + Jorge Orta’s film Disappearance, a duet for chainsaw and piano, will be projected for the first time in an installation specifically conceived for Tree Time, an exhibition addressing the theme of the tree faced with current environmental issues. View the film here.

Gaia, What are you Becoming?

Gaia, What are you Becoming?

18 October 2019 - 08 November 2019
Maison Guerlain, Paris, France
Group Exhibition

As part of the FIAC Private Itinerary, head to the Maison Guerlain for the thematic group exhibition in homage to Gaia. On view is one of the artists’ emblematic sculptures from the Antarctica project, No Borders Drop Parachute. More info here.

Mariner | UK tour

Mariner | UK tour

23 September 2019 - 16 November 2019
The Arts Institute, Plymouth, UK
Group Exhibition

Lucy + Jorge Orta present a new multi-sensory installation The Raft of Medusa for the national touring exhibition Mariner, a contemporary response to Samuel Taylor Coleridge's famous poem: The Rime of the Ancient Mariner. The exhibition inaugurates at The Arts Institute, Plymouth and tours to The Edge, Bath (06 February - 21 March 2020) and John Hansard Gallery, Southampton (02 May - 04 July 2020).

The Mariner looks at what connects us across epochs, from the desire to travel – to journey out and back again, the role of intuition and imagination, making mistakes and the process of recovery and redemption. It can also be understood as an ecological story, where knowledge, scientific understanding and tolerance offer a beacon of hope for our shared future. 

Orta's response is inspired by the romantic depiction of the shipwreck Le Radeau de la Méduse (Théodore Géricault 1818-1819), a symbol of man’s fragility, helplessness and hope. Evoking the fateful journeys of slaves and migrants throughout history, this new immersive audio-visual installation closes the cycle of three performances that took place at Yorkshire Sculpture Park (2013), Les Moulins (2015) and Humber Street Gallery (2017).

Curated by Sarah Chapman, Mariner marks the 400th anniversary of the Pilgrim Fathers’ voyage on the Mayflower from the UK to the United States of America in 1620. 

HOW THE LIGHT GETS IN

HOW THE LIGHT GETS IN

07 September 2019 - 08 December 2019
Herbert F. Johnson Museum of Art, Ithaca, NY, USA

How the light gets in, curated by Andrea Inselmann, presents contemporary artworks in many mediums that look at the movement of people across the globe and the welcome cracks that develop in our notions of borders and nation states. The Antarctica Flag, raised for the first time in the Antarctic during the artists’ 2007 expedition, embodies utopia, a symbol of a larger common identity, a supranational emblem of human rights. 

 

 

Pouvoir & Pouvoir | Galleria Continua

Pouvoir & Pouvoir | Galleria Continua

23 June 2019 - 22 September 2019
Galleria Continua, Les Moulins, France
Group exhibition

Studio Orta is pleased to announce the participation of Lucy + Jorge Orta in the exhibition Pouvoir & Pouvoir at Galleria Continua Les Moulins from June 23 to September 22, 2019.

In this collective exhibition, some twenty international artists evoke the links between Art and Power. In this context, Lucy + Jorge Orta propose two forms of power struggle through large format paintings and textile banners.
 
In Moulin de Boissy: The paintings Parcelas Dominantes, Triangular AAA and Gama refer to the political situation in Argentina from 1972-1983. The unfair distribution of land, which led to social uprisings violently repressed by dictatorial power with the creation of a death squadron, the Triple A. These works, in their abstract and geometric appearance, hide a system of color codes invented by Jorge Orta. This code, where each color represents a historical, geographical, political or social situation, allows him to speak-out and continue to create despite the repression.
 
In Moulin Sainte-Marie: Procession Banners (2018-2019) is a collaborative work to commemorate the centenary of the Suffragette movement and the memory of the thousands of women who were imprisoned during their fight for the right to vote. Lucy Orta worked with women inmates over a six-month period to design and create a series of embroidered textiles banners for a historic march that mobilised over 90 000 women across the UK, on June 10, 2018. The banners are touring from the Ikon Gallery and the De La Warr Pavilion, Bexhill, UK.

Eldorama | Lille

Eldorama | Lille

27 April 2019 - 01 September 2019
Tripostal, Lille, France
Group exhibition curated by Jérôme Sans and Jean-Max Colard, with Isabelle Bernini

Studio Orta is pleased to announce Lucy + Jorge Orta’s participation in Eldorama, at the Tripostal in Lille, from April 27 to September 1, 2019. Displayed in three chapters — Dreamed Worlds, The Rush and The New Eldorados — the exhibition traces the universal adventure of ‘eldorados’ that encourage peoples to migrate and move in search of new opportunities.

Lucy + Jorge Orta present their most recent productions, four large-format assemblage paintings, bringing together the abstract and gestural language of painting with metaphorical objects (window frames, life buoys, clouds) that are part of the iconic visual vocabulary of the artists. These powerful assemblages compose a new field of reflection and can be seen as optimistic windows opened onto new worlds, having fled from chaos, exile, displacement, and the chance of rescue.

Life Guards | Florence

Life Guards | Florence

11 April 2019 - 04 July 2019
Palazzo Vecchio, Museo Salvatore Ferragamo, Museo Novecento, Florence
Solo exhibition parcours

For the occasion of the Sustainable Thinking exhibition presented by Museo Salvatore Ferragamo, Lucy + Jorge Orta have created a parcours across the city of Florence, starting at the historic Palazzo Vecchio, followed by the Museo Salvatore Ferragamo, to the Museo Novecento.

Life Guards are inspired by the four basic founding elements within the allegorical frescoes of the Palazzo's Sala degli Elementi –aira, acqua, fuocoterra– and conveyed through the posture of a human figure. Following in the footsteps of the mythological gods and divinities depicted in the frescoes, the artists' life guards are surrounded by an array of symbolic and functional objects that evoke the increasing fragility of these vital resources due to factors such as exploitation and climate change and convey the need to develop more sustainable ways of using, protecting and conserving these resources in the future.

Join the artists for the openings in Florence on April 11: Palazzo Vecchio 16:00, Museo Salvatore Ferragamo 17:00, Museo Novecento 18:00. For further information and RSVP.

 

 

Potential Architecture | New York

Potential Architecture | New York

04 April 2019 - 11 May 2019
Jane Lombard Gallery, New York
Solo exhibition

Studio Orta is pleased to announce Lucy + Jorge Orta's solo show Potential Architecture at Jane Lombard Gallery New York from 4 April to 11 May, 2019. Featuring work from their most recent series Derrame, as well as Totipotent Architecture and Cells, the exhibition includes paintings, sculptures, and works on paper.

As an international duo, Lucy + Jorge Orta’s symbiotic practice examines social and ecological issues across the globe, this exhibition analyzes how architectures of the human body and physical space interact with internal and external structures. Potential Architecture unites the Orta’s multidisciplinary investigation into micro and macro structures. They pursue a line of inquiry that presses society to constantly re-consider our understanding and challenge the ways in which constraints can be pushed, reformed, and drawn upon.

For further information.

Procession Banners | De la Warr Pavilion

Procession Banners | De la Warr Pavilion

09 February 2019 - 27 May 2019
De La Warr Pavilion, Bexhill-on-Sea, UK
Group exhibition curated by Irene Aristizábal (Nottingham Contemporary), Rosie Cooper (De La Warr Pavilion), Cédric Fauq (Nottingham Contemporary)

Procession Banners will be touring from the Ikon Gallery to De La Warr Pavilion for a major group exhibition exploring the history of resistance and alternative forms of living from the perspective of gender: Still I Rise: Feminisms, Gender, Resistance, Act 2, from 9 February to 27 May, 2019.

This exhibition explores the many forms resistance can take: from intimate acts to large-scale uprisings, from the late 19th century to the present and beyond. Grounded in intersectional and queer feminist perspectives, it takes place within a global context, referring to recent women-led uprisings and demonstrations, as well as historic moments, including the centenary anniversary of the UK women’s right to vote. The award-winning* "Procession Banners" Lucy Orta created together with women from HMP Downview, commissioned by Historic England to commemorate the suffragettes imprisoned in Holloway prison, bring the voices of female prisoners into the debate.

In January 2018, Lucy Orta began collaborating with a group of female residents as part of London College of Fashion’s Better Lives outreach community work. She collected the women’s testimonies and ran workshops with the help of LCF student volunteers to design and create banners that brilliantly express what it means to be a woman today. The banners were paraded in the suffragette centenary Procession in London (10 June 2018), with the participation of over 30,000 women. Watch the video here.

*Participants each received a Gold Koestler Award, August 2018.

Migration Week | Marrakech

Migration Week | Marrakech

05 December 2018 - 11 December 2018
Marrakech, Morocco
Solo exhibition

Commissioned by the curatrial research project DISPLACEMENT: Uncertain Journeys, Studio Orta is pleased to announce the fifth edition of Antarctica World Passport to be distributed during Migration Week Marrakech (December 5-11, 2018).
 
The Migration Week brings together representatives from UN member states, international organisations and civil society organisations for two official events, the 11th Global Forum on Migration and Development Summit (GFMD) and the United Nations’ Intergovernmental Conference to Adopt the Global Compact for Safe, Orderly and Regular Migration (GCM). For these major global policy-making meetings, Lucy + Jorge Orta have proposed a special edition of Antarctica World Passport, to be distributed to delegates and invited guests, alongside an engagement activity to amplify the Platform on Disaster Displacement messages, with the aim to build greater support for improved protection and assistance for the millions of people displaced around the world each year due to the impacts of disasters and climate change. Join the campaign here!
 
DISPLACEMENT was initiated in 2014 by the late Professor Chris Wainwright at the University of the Arts London in collaboration with the Nansen Initiative, and is now led by UAL doctoral candidate, Hannah Entwisle Chapuisat. Its curatorial mission is to bring art research and practice to bear on international policy making addressing displacement related to disasters and climate change.

Procession Banners | IKON

Procession Banners | IKON

23 October 2018 - 20 January 2019
Ikon off-site at Medicine Bakery and Gallery
Birmingham, UK

A selection of the award-winning* Procession Banners Lucy Orta created together with female residents from HMP Downview will be displayed for the first time at the Ikon Gallery’s offsite Medicine Bakery and Gallery from 23 October 2018 to 20 January 2019.

In January 2018, Lucy Orta began collaborating with a group of female residents as part of London College of Fashion’s Making For Change fashion training and manufacturing unit, based at HMP Downview. Commissioned by Historic England, the women, assisted by students from LCF, designed 30 banners to mark 100 years since British women won the vote. In 2016, women were transferred to HMP Downview after the closure of HMP Holloway, then the largest all women prison in Europe, and the notorious site where over 1,000 suffragettes had been imprisoned during their struggle for the vote. Through workshops Lucy Orta collected testimonies considering what it means to be a woman today, the power of the vote and our shared future. The banners they created were paraded in the centenary Processions march in cities across the UK on 10 June 2018. 

During November 2018, Lucy Orta is artist-in-residence for Ikon’s 2018 Looping the Loop programme. During her residency, Lucy Orta and MotherShip Projects join together with local communities to create a processional banner based on personal experiences. On Saturday 17 November, to mark the centenary of women’s suffrage, Lucy Orta, MotherShip and students from Birmingham City University lead a procession through the streets of Birmingham headed by the finished banner.  

*Participants each received a Gold Koestler Award August 2018.

Peewit | The Netherlands

Peewit | The Netherlands

01 September 2018
Public Sculpture
Sloten, The Netherlands

We are happy to announce Peewit a new public sculpture for the European Capital of Culture Leeuwarden-Fryslân 2018. The work is permanently installed in the Dutch town of Sloten as part of the 11Fountains, a major contemporary art commission curated by Anna Tilroe.

11Fountains is inspired by the most legendary of all Dutch traditions, the so-called ‘Eleven Cities Tour’, a 200-kilometre ice-skating race through Friesland’s landscape and eleven beautiful historic cities. Eleven contemporary fountains have been commissioned by eleven renowned international artists to build a bridge between the complex, global world of today and the history of a place and its population.

Lucy + Jorge Orta’s “Peewit” fountain comprises of a haphazard stack of buckets, jerry cans and water tubs and basins, implements you come across anywhere in the world. They refer to something that we in our society possess in abundance but that cannot be taken for granted in other parts of the world: water! Water is the source of all life. The water pours into and over the containers in a continuous stream, as if it were never going to dry up. Two children have climbed up the teetering tower to free the peewit from an old Frisian tradition: the gathering of peewit eggs in the spring. For the peewit has become an endangered species due to the rapid growth of intensive agricultural and cattle breeding technology. The bird is carrying a golden key in its beak, the symbol of the city of Sloten and its closely-knit community.

The 11Fountains artists include Allora & Calzadilla, Stephan Balkenhol, Johan Creten, Mark Dion and Cornelia Parker, for further information contact 11Fountains.

PROCESSIONS 1918-2018

PROCESSIONS 1918-2018

10 June 2018
London, UK

Studio Orta is pleased to present the new Historic England commission to commemorate the 100-years of the Suffragette movement, and in memory of 1,000 suffragettes that were imprisoned at Holloway women’s prison during their struggle to obtain the vote.
 
HMP Holloway in London was one of the most notorious sites associated with the Suffrage movement. It closed in 2016 and women were moved to HMP Downview. Since January 2018, Lucy Orta collaborated with them to design and create a series of stunning textile banners for the centenary Processions in London on June 10, 2018.

The design for the HMP Downview banners draws from historical perspectives on the suffragette campaign, hand-crafts and responsive workshops to collect testimonies, considering what it means to be a woman today, the power of the vote and our shared future. Volunteer students from London College of Fashion assisted the process: See blog The hand-embellished panels were assembled in Making for Change, an education training facility at HMP Downview established by the Ministry of Justice and LCF to equip prisoners with employability certifications before the end of their sentence.
 
Produced by Artichoke as part of 14-18 NOW, Processions marks the centenary of the women’s right to vote, in a living, moving portrait of women in the 21st century. Press contact Flint PR.

Folly | National Trust

Folly | National Trust

27 April 2018 - 04 November 2018
Public Sculpture
Fountains Abbey & Studley Royal, North Yorkshire, UK

Studio Orta is proud to announce a new public sculpture, the “Gazing Ball”, commissioned for Folly! 2018 Fountains Abbey and Studley Royal Water Garden, a World Heritage Site and one of the National Trust’s most prestigious and well visited locations.

For Folly! 2018, Lucy + Jorge Orta have re-imagined one of the former architectural follies, located by the Banqueting House where the Rotunda, a classical Ionic temple once stood. Their contemporary interpretation of the eighteenth-century folly draws from their body of work Totipotent Architecture, to bring new potential and function to lost architecture.

The artists have purposely broken with the traditional neo-classical hexagonal form to create a sculpture in ‘oppositional tension’, a feature of the Studley landscape design. They have imagined a pentagonal structure with a trompe l’oeil colonnade; the classic dome roof has been replaced by a rotating-axis tower onto which a gazing ball delicately balances.

This huge mirror sphere is designed to reflect and distort the surrounding water gardens, whilst the geometrical shaped windows act as framing devices from which visitors are offered multiple perspectives over the Moon pond, to a surprise view of the gothic Octagon Tower. The "Gazing Ball" is meant to remind us of the playful and multi-functional purpose of follies and propose new interpretations of the landscape.

For enquiries please contact Folly!

Women House | Washington DC

Women House | Washington DC

09 March 2018 - 28 May 2018
Group exhibition curated by Camille Morineau and Lucia Pesapane
National Museum of Women in the Arts, Washington DC, USA

Women House, opening at National Museum of Women in the Arts, bridges two notions: a genre - the female - and a space - the domestic one. This major exhibition brings together the works of 39 international female artists from the 20th and 21st centuries and is divided into eight chapters that reflect the complexity of the possible view points on the subject, both feminist and poetic, political or nostalgic.

In this context, Lucy Orta presents the work Body Architecture - Collective Wear 4 persons. Following on from the Refuge Wear series (1992-1998), Orta began working on collective portable structures, shifting the emphasis on the isolated individual towards the notion of living in community, where the modular dome or tent sculptures combine the principles of solidarity and where the physical connections woven between individuals inhabiting these spaces symbolize the innumerable bonds that can be forged emotionally, intellectually, socially and spiritually.

Women House travels from La Monnaie de Paris, Paris, October 20, 2017 - January 28, 2018.

70 x 7 The Meal, Act XLI | Singapore

70 x 7 The Meal, Act XLI | Singapore

27 January 2018
NTU Center for Contemporary Art
Singapore

Studio Orta is pleased to announce their second 70 x 7 The Meal in Singapore with the NTU CCA, taking place on Saturday 27 January, under the helm of The Current Convening #3, in collaboration with TBA21-Academy.

The 41st act of the ongoing series - Act XLI - Who owns the Oceans? is an open-air discursive brunch, which draws from the tradition of communal eating to create a platform that explores questions relating to the ocean, such as the entitlements of resources, its waters, food security, as well as ownership of oceanic practices, materials, and images. For this participatory event, Lucy + Jorge Orta have created a table setting relating to these topical discussions. During the brunch, the guests will continue to examine the questions raised during Convening #3’s sessions taking place at the NTU CCA from 25-28 January. This ocean themed meal is developed in collaboration with restaurateur Ken Loon of Singapore’s The Naked Finn, who has locally sourced the ingredients, each of which will be explained and related back to the wider conversation of Singapore’s food sources, its specific environment, and infrastructure.

To book a place at the meal.

 

Solo Show | Untitled Miami

Solo Show | Untitled Miami

06 December 2017 - 10 December 2017
Jane Lombard Gallery - Booth A2
Miami Beach, USA

Studio Orta is happy to announce a solo exhibition by Lucy + Jorge Orta with Jane Lombard Gallery, for UNTITLED at Miami Beach 2017.

Presented in Miami, are different emblematic works by the artists including: OrtaWater, Antarctica and Totipotent Architecture, poetic and operational aesthetic strategies that address systemic functionality: climate change, diminishing resources and forced migration.

These works come together in the physical and conceptual realization of their latest series of large-scale assemblage paintings, Derrame. At the core of the abstract gesture define by these works is an accidental moment that produces distinctive pigments and organic forms; accident is treated as an uncontrolled phenomenon; an event that mirrors the destructive force of natural disasters bolstered by human disregard and the chaos of sociopolitical cataclysms. These underlying fluid compositions find originate in Jorge Orta’s Derrame paintings, begun while living in Rosario, Argentina (1972-1984) during la Guerra Sucia. The Spanish word ‘derrame’ is used in a variety of ways: a leak (escape, loss), cerebral attack (stroke), a spill (waste), and an outpouring (effusion). In this period of state terrorism and censorship, painting became a political act of revolt and an emotional act of frustration.

Gestural paintings, sculptures and performance layered with functionality, design and political engagement compose a new field of reflection, creating lines and symmetries that structure and attempt to control the underlying chaos –derrame– while opening up new horizons. The objects frame and focus the overflow, an irrepressible continuum that hopes to catalyze a cycle of renewal and possibility. 

Press release: Untitled Miami 2017

Frieze Projects | Antarctica

Frieze Projects | Antarctica

04 October 2017 - 08 October 2017
Frieze London, Regent’s Park
London, UK

We are happy to annouce the participation in Frieze Projects London with Antarctica World Passport Delivery Bureau, a brand new ‘convoy’ installation composed of customised ex-army trailers, curated by Raphael Gygax.

For a number of years, Lucy + Jorge Orta have been exploring the transformation of surplus military equipment, ‘weapons of war’, into ‘tools for peace’, to infuse them with new meaning. On the mobile passport office, commissioned specifically for Frieze Projects, we find references to the human body in the form of mini-bivouacs, various expedition objects and a bureau from which the passport officers will distribute the Antarctica World Passport. A limited edition of 5,000 passports will be available during Frieze Week from October 4-8. For each passport distributed, the Antarctica World Passport holder is invited to join the no-borders community, which now counts over 19,000 online citizens.

Following their expedition to the Antarctic in 2007, the Antarctica project was launched in 2008, during their survey exhibition at the Hangar Bicocca Milan, curated by Bartolomeo Pietromarchi. Alongside the Antarctic Village, the artists lay down the foundations for the Antarctica World Passport community. 50,000 copies of the passport have been printed to date —the Frieze Projects passport will be the fourth edition.

For Lucy + Jorge Orta, Antarctica’s immaculate ice landscape is a metaphor, a filter for the kaleidoscope that make up our nations and identities, concentrating all the colours into the sum of light and the purity of a hope.

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