Food Water Life | Johnson Museum of Art

Food Water Life | Johnson Museum of Art

25 January 2014 - 08 June 2014
Johnson Museum of Art, Cornell University, Solo exhibition
USA

On January 25, the Johnson Museum of Art at Cornell University inaugurates the next chapter of Lucy + Jorge Orta’s exhibition Food Water Life. The show presents three projects that span close to two decades of collaborative work. Through sculpture, drawing, installation, and video the artists explore concerns that define the twenty-first century: biodiversity, environmental sustainability, climate change, and social economy.

As heirs to the practice of social sculpture, formulated by the German artist and activist Joseph Beuys in the 1960s, the Orta’s works are relics of their own function—captivating assemblages such as the Processing Units and the Purification Factory are, respectively, a platform for the preparation of food and a mechanism to purify water. Other elements, created for a 2007 expedition to Antarctica, form part of an effort to amend the 1948 Universal Declaration of Human Rights. The featured works are metaphors-in-action, constructions that perform the tasks of which they are emblematic.

This exhibition, which is curated by curatorsquared, originated at Tufts University Gallery and tours to the Ben Maltz Gallery, Otis College of Art and Design, Los Angeles (August 16 – December 7 2014) and the Richard E. Peeler Art Center, DePauw University, Greencastle (February 5 – May 7, 2015). 

Spirits of the Huveaune | Aux Commandes ! Les Nouveaux Commanditaires ou comment faire société avec l'art

Spirits of the Huveaune | Aux Commandes ! Les Nouveaux Commanditaires ou comment faire société avec l'art

30 November 2013 - 26 January 2014
Château de Tours, Group exhibition
France

Aux Commandes ! is an exhibition featuring eight recent commissions by the Fondation de France initiative Nouveaux Commanditaires (New Patrons). In the last twenty years New Patrons has enabled the production of more than 400 works across Europe. The emblematic artworks selected for this exhibition at Châteu de Tours reveal the ways in which citizens and artists can engage in territorial development to define their living and work spaces. The exhibition captures the diversity of political issues to which our society responds, the range of artwork commissions seeking to address them, and the pertinence of these artistic proposals to effect change.

Lucy + Jorge Orta present a miniature version of Spirits of the Huveaune, a scale replica of the five permanent figurative sculptures that were installed over a two-year period along the Huveaune valley and inaugurated for Marseille Cultural Capital 2013. Known locally as the Chemin des Fées, the five Spirit sculptures map the presence of the Huveaune, a coastal river in eastern Provence that originates in the massif of Sainte Baume and flows into the Mediterranean Sea at Marseille.

The five Spirits of the Huveaune: Spirit of the source – Marie, Martellières, Saint-Zacharie Spirit of the bridge – Ubelka, Moulin Saint-Claude, Auriol Spirit of the river banks – Manon, Îlot des Berges Park, Aubagne Spirit of the old mill – Gyptis, Parc du vieux Moulin Spirit of the lake – Ophelia, Parc Borély

Spirits of the Huveaune was commissioned by the association Rives & Cultures and mediated by the Bureau des Compétences et Désirs, Sylvie Amar and Anastassia Makridou-Bretonneau.

Book launch: Potential Architecture

Book launch: Potential Architecture

09 October 2013 - 01 December 2013
TheGallery, University Arts Bournemouth, Book launch and exhibition
UK

On October 17 Arts University Bournemouth launches the new book Lucy + Jorge Orta: Potential Architecture. This monograph delves into Lucy + Jorge Orta’s recent architectural endeavors that derive from their fascination with cell biology and the process of cell differentiation. It traces the fruit of the artists’ research on new organic and modular architecture as a result of their collaboration with the Greenham partnership and other communities across Europe. Through drawings and sculpture, the artists conceptualize the communication process the human cell undertakes from its embryonic state and the infinite transformations that lead to defined structural organisms.

The release of this new publication coincides with the exhibition Lucy + Jorge Orta: Potential Architecture curated by Simon Beeson at TheGallery, Arts University Bournemouth. The exhibition brings together sculptures, drawings, and models created by the artist since the inception of Totipotent Architecture in 2002. This series marked a shift away from the body and transient shelters to more permanent proposals for sculpture and interventions in urban space.

Simon Beeson in conversation with Lucy Orta: 5pm-6pm, followed by drinks reception: 6pm-7pm, TheGallery. Exhibition on view until December 1, 2013

What We Sow: 70 x 7 The Meal, act XXXIV

What We Sow: 70 x 7 The Meal, act XXXIV

05 October 2013
Independence National Historical Park, Philadelphia, Public artwork
USA

To mark its 30th anniversary Mural Arts Philadelphia has invited Lucy + Jorge Orta to create the seminal project What We Sow, which expands on the social and civic foundation of the mural tradition by addressing the relationship among local communities, regional ecologies, global economies, and the politics of food production.

On October 5, 2013, to conclude an engaging schedule of community programs, Orta will stage 70 x 7 The Meal, act XXXIV, gathering thousands of people around a meal for dinner. The table, set with a newly commissioned edition of Royal Limoges porcelain plates and a table runner adorned with original drawings by the artists, will span Independence National Historical Park. Among its many historical treasures this park is home to Independence Hall, where the Declaration of Independence and the United States Constitution was debated and adopted in the late 18th century.

70 x 7 The Meal, act XXXIV will gather over a thousand guests around a communal table as well as simultaneous dinners across the city to engage diverse communities in conversation surrounding the issue of heirloom foods and their role in creating access to a healthier food system. The meal will feature a menu of heirloom produce created by Philadelphia’s star Chef Marc Vetri. Invitations to the 70 x 7 The Meal were awarded by lottery, offering equal chance for those from the Philadelphia community to not only take a seat at the table, but to find a voice in the discussion.

Hangzhou Triennial of Fiber Art

Hangzhou Triennial of Fiber Art

21 September 2013 - 20 November 2013
Zhejiang Art Museum, Installation & Commission
China

The first ever Hangzhou Triennial of Fiber Art features two pivotal works by Lucy + Jorge Orta: a new, specially commissioned iteration of Nexus Architecture and the very first exposition of Connector Mobile Village in its entirety. 

Nexus Architecture is regarded as an emblem of Orta’s practice. This body of work, which is both an installation and performative, is comprised of groups of workers-overalls, interconnected via a system of channels and zippers called the ‘Nexus’, meaning link or bond. A Nexus Architecture intervention, with the participation of fifty performers, was staged on site in Hangzhou and filmed for a forthcoming new video. For the duration of the Triennial, an installation of the specially commissioned Nexus overalls will be on display at the Zhejiang Art Museum.

For the very first time Lucy + Jorge Orta’s Connector Mobile Village will be on view in its entirety, filling the striking entrance of the Zhejiang Art Museum. This monumental installation is the culmination of many years of work creating a vast system of modular architectures that adapt according to the needs of an individual or group. Each unit can be interconnected to form manifold complex structures capable of serving larger numbers of people and performing different residential, educational and social functions. The nature of these structures allows each individual to exert the freedom of choice by connecting to or disconnecting from the sequence at will.

Lucy + Jorge Orta

Lucy + Jorge Orta

20 July 2013 - 03 November 2013
Yorkshire Sculpture Park, Solo exhibition
UK

On July 20, 2013 a presentation of new and recent work by Lucy + Jorge Orta opens at Yorkshire Sculpture Park. Located in YSP’s Longside Gallery and on the park grounds, this important exhibition revolves around the theme of water, central to Orta’s practice. Alongside archival works the artists launch two major new commissions: Raft of the Medusa and Spirits of the Huveaune - Ubelka.

Raft of the Medusa, a centerpiece of the exhibition, is inspired by Théodore Géricault’s 1818-19 shipwreck painting Le Radeau de la Méduse. Constructed in the form of a radeau de fortune, this unusual patchwork assemblage of driftwood, lacquered glass, oil drums, giant oars and a ‘cloud’ roof resembles a large raft out of which juts an imposing ladder-cum-mast. The sculpture is laden with allusions to water’s contradictory power to save or destroy and to current international migration and the journeys many are forced to take in search of refuge.

Also unveiled is Ubelka, a larger than life female figure cast in bronze belonging to Orta’s ongoing Spirits series. Weaving a link between past and present, Spirits refers to the universal water cycle and its poetic representation through myth and legend surrounding the history of Marseille’s Huveaune river, along which five earlier works now permanently reside. Ubelka is the mother goddess of water, the maternal figure from whom the river takes its original name. Ubelka at YSP is generously enabled by Pangolin Editions.

Orta have designed two limited edition plates exclusively for YSP to coincide with the exhibition. Both designs draw from Orta’s series 70x7 The Meal bringing people together ad infinitum around the ritual of eating. Made in Royal Limoges porcelain with a four-color enamel process, including platinum silver accents, the plates feature the artists’ drawings and are signed and numbered on the reverse. Both are in an edition of 50 and available for the special exhibition price of £160, with presentation box. Please see here for further details.

Glasstress: White Light / White Heat

Glasstress: White Light / White Heat

01 June 2013 - 20 November 2013
55th International Art Exhibition in Venice, Group exhibition
Italy

Glasstress. White Light / White Heat, curated by Adriano Berengo and James Putnam, invites artists to deal with light and heat, intrinsic aspects of glass and its working. Glass is born from the creative and destructive force of fire, which transforms the basic chemical elements into a viscous fluid. The result is a malleable matter with a chaotic, molecular structure providing light with a limitless variety of surfaces, colours, transparencies and reflections.

Specially commissioned for this exhibition, Lucy + Jorge Orta’s Amazonia Tree of Life is a magnificent bronze tree trunk, felled and polished over the years by river currents. Delicate blossoms of handcrafted glass flowers grafted onto carefully selected olive branches from the Mediterranean extend outward from the trunk. 

Amazonia Tree of Life follows the trajectory of Lucy + Jorge Orta’s ongoing Perpetual Amazonia project. During their expedition to the Peruvian Amazon in 2009 the artists photographed hundreds of rainforest plant species, a personalised collection of florilegium they continue to add to during their travels across the world. These florae have since been transformed into large format photographs, drawings, handcrafted couture works and porcelain objects. The latest interpretations in glass have been blown by the master craftsmen Danilo Zanella at the Berengo Studio in Venice, a truly unique addition to this ambitious project.

Glasstress is a collateral event of the 55th International Art Exhibition in Venice.

Cloud | Meteoros : Inaugural Terrace Wires Commission Unveiled

Cloud | Meteoros : Inaugural Terrace Wires Commission Unveiled

18 April 2013 - 10 October 2013
Barlow Shed, St Pancras International London, Public sculpture commission
UK

A suspended meeting place, the sky is the agora of our imagination.

On April 18, 2013 Lucy + Jorge Orta unveil their monumental work Cloud | Metéoros at St Pancras International. As part of a new initiative titled Terrace Wires, the artists have been selected to create the very first public sculpture to be suspended in the Barlow Shed of the Eurostar terminal.

The artwork will be a cardinal welcome to the nearly one million visitors to the station each week. Floating amid the glass-vaulted architecture of the historic Barlow Shed, Cloud | Metéoros resembles vast cumuli populated with travellers, a ‘magic carpet’ taking passengers on an imaginary journey in the skies. It also carries a more political message. The cloud calls into question how mankind will share the vital resource of water on earth.
Meteoros is derived from ancient Greek, meaning raised from the ground, suspended, lofty or in the midst. Clouds have long been intercessors between reality and the imagination, between heaven and earth, lightness and gravity. They inhabit the skies of Renaissance fresco paintings, often depicted crowded with laymen and prophets, angels and deities. Throughout history, this celestial vault has been a site of conviviality, of learning and exchange.

Terrace Wires is an initiative by HS1 Limited. This ambitious project finds its home in London alongside other annual public art commissions, including the Fourth Plinth, Turbine Hall at Tate Modern and the summer pavilion at Serpentine Gallery.

Spirits of the Huveaune | Three new Spirits to be unveiled

Spirits of the Huveaune | Three new Spirits to be unveiled

06 April 2013
Marseille, la vallée de l’Huveaune, Public sculpture commission
France

In honor of Marseille-Provence 2013 European Capital of Culture and Fondation de France’s Nouveaux commanditaire, Lucy + Jorge Orta present Le Chemin des Fées – Spirits of the Huveaune, a 30km parcours of sculptures across four municipalities that invite people to rediscover the Huveaune river’s rich cultural heritage.

The five Spirits of the Huveaune, feminine figures cast into bronze, are situated along the Huveaune river valley between the spring, deep in the Provence Alps, and the estuary at the Mediterranean, the ancient sea port of Massilia. The legendry, supernatural and the imaginary are the artists’ sources of inspiration collated from historical texts, local legends and stories recounting the feminine presence associated with the Huveaune river and the valley.

April 6, 2013 marks the inauguration of three such spirits: la Fée de la source - Marie at the Martellière, Saint-Zacharia; la Fée du pont - Ubelka at the Moulin Saint-Claude, Auriol; and la Fée des berges - Manon at the Îlot des Berges Park, Aubagne.

A fourth spirit, La Fée du vieux moulin (Gyptis), was unveiled in October 2012 in the Vieux Moulin Park, and the fifth and final spirit, la Fée du lac - Ophélie, will be inaugurated in Borély Park this coming May.

The spirits invest each site as genii loci, weaving a link between the past and present. Referring to the universal water cycle, Le Chemin des Fées aims to raise public awareness of environmental issues related to the river’s fate, particularly water management in the future, there as elsewhere.

Chemin des Fées was commissioned by the Association Rives et Cultures.

Food Water Life

Food Water Life

22 January 2013 - 03 March 2013
Ezra and Cecile Zilkha Gallery, Wesleyan University, Solo exhibition
USA

On January 22, 2013 the Zilkha Gallery at Wesleyan University opens its doors to Lucy + Jorge Orta’s seminal exhibition Food Water Life. The exhibition, which originated at Tufts University Gallery and which will tour the United States, explores how the artists' unique visual language tackles global issues affecting our lives. Three projects spanning close to two decades of collaborative work will be presented: Hortirecyling (1997-2005), OrtaWater (2005-2007) and Antarctica (1990-2009).

Lucy + Jorge Orta’s artwork communicates widely to audiences beyond the field of contemporary art, demonstrating the importance of art as a creative agent for awareness and change. During the next three years, the artists will stage on-location workshops, ephemeral interventions, residencies and master classes that explore the crucial themes of the contemporary world: the community, autonomy, dwelling, migration, sustainable development and recycling.

This exhibition will travel to the Herbert F. Johnson Museum of Art, Cornell University (January 25–May 25, 2014) and Richard E. Peeler Art Center, DePauw University, Greencastle (February 5–May 7, 2015) with other venues to be announced.

Spécimens: Collections, croisements, sentinelles

Spécimens: Collections, croisements, sentinelles

25 November 2012 - 31 March 2013
Domaine de Chamarande, Group Exhibition
France

The Enlightenment gave rise to a systematised, encyclopaedic knowledge of nature attained by methods of collection, classification and empiricism. Artists and scientists alike have since applied this inheritance to the careful circumscription of nature by means of its depiction. For the exhibition Spécimens, the Domaine de Chamarande invites eleven international artists to present the fruit of their confrontations with naturalism. Through the appropriation of scientific approaches to classification, observation and experimentation these artists recompose our representation of the natural world. 

Spécimens features Lucy + Jorge Orta’s Perpetual Amazonia, artworks inspired by the artists’ participation in an expedition to the Peruvian Amazon in 2009 with scientists from the Environmental Change Institute (ECI) at Oxford University. Peru’s Manu Biosphere Reserve is a UNESCO World Heritage site where more than 15,000 species of plants have been recorded and up to 250 varieties of trees can be found in a single hectare. As part of the scientific research, Lucy + Jorge Orta mapped out a one-hectare plot in the rainforest at GPS coordinates S12 48 21.6 W71 24 17.6 in the heart of the Fundo Mascoitania. 

Lucy + Jorge Orta’s expedition moved them to conserve this hectare of land in perpetuity as part of their dedication to scientific research and to the benefits we all receive from long-term forest conservation. The Perpetual Amazonia body of work consists of murals of plant species, hand-made fabric flowers, carefully rendered porcelain fragments and enlarged photographs that focus on details otherwise invisible to the human eye. Their experiences have helped shape an exhibition that weaves scientific, aesthetic and cultural paradigms to lend insight into the area’s huge diversity of living organisms and to the space they occupy in the planet’s evolution.

Clouds | Nuages

Clouds | Nuages

18 October 2012 - 21 October 2012
FIAC | galerieofmarseille, Art Fair
France

The cloud is an intermediary between two worlds. Its airy lightness and gas give free rein to the architectural imagination, whilst its liquid composition returns it to earth. The cloud, by virtue of its ubiquity, is an intercessor between reality and imagination, between heaven and earth, light and gravity. The absence of a stable form, which characterizes the cloud, is a powerful concept that embodies, with its dreams, the designs for an ideal society. Playing on its metamorphoses, it can convey, in the mode of fable, a more political message without gravity. Here, the message focuses on water, from which clouds are constituted, by asking how humans will share this resource on earth.

On galerieofmarseille’s stand at FIAC, Lucy + Jorge Orta will present Cloud Raft, one of the sculptures exhibited at La Maréchalerie – centre d’art de Versailles in 2011. Here the clouds proposed by Lucy + Jorge Orta take on greater material significance. They evoque the perturbations of the water cycle, its pollution, commodification and scarcity. Constituted from recycled plastic bottles, Cloud Raft refers in particular to the new plastic waste continents adrift on the world's oceans, a striking image of a doomed world. The reflection on the water is an undercurrent throughout several recent works of this binomial series, gathered under the title OrtaWater: machinery to distribute or recycle water, and vessels to ensure survival of the living after the environmental disasters that lie ahead. In this perspective, the cloud can be seen as a thermodynamic megamachine: it makes rain, recycles water and distributes it on our planet.

The artists will also be participating in FIAC Hors les Murs 2012 with the installation/action International Passport Distribution Bureau, presented on this occasion at the main entrance of the Jardin des Plantes.

http://www.fiac.com/galerie.html?ex=461#.UFMEI2i6T8s
http://www.fiac.com/hors-les-murs-jardin-plantes.html#.UFMD52i6T8s

FIAC Hors Les Murs

FIAC Hors Les Murs

16 October 2012 - 24 October 2012
Jardin des Plantes Paris, Installation-action
France

In the framework of FIAC Hors les Murs 2012, at the main entrance of the Jardin des Plantes, Lucy + Jorge Orta present Antarctica World Passport Delivery Bureau, an important installation comprised of micro-architectures fabricated from recycled materials. This installation gives rise to an action: thousands of Antarctica World Passports will be distributed to visitors aspiring to become citizens of the new Antarctica global community.

Spectator-participants can join the tens of thousands of citizens who have already received individual passports, each of which affirms that, “Every human being has the right to move freely and cross frontiers to their chosen territory." These passport also propose an amendment to Article 13 of the 1948 Universal Declaration of Human Rights 13.3 with the following statement: "Individuals should not be deemed of an inferior status to that of capital, trade, telecommunication and pollution, all of which have no boundaries."

Lucy + Jorge Orta’s Antarctica World Passport is a an original artwork to be treasured and passed on to future generation, an attribute of citizenship of the world but also a testament that art can change lives.

The Studio Orta team will be on site to distribute passports October 16, 5:30pm to 8pm & October 21, 1pm to 4pm.
http://www.fiac.com/hors-les-murs-jardin-plantes.html#.UFMD52i6T8s
Lucy + Jorge Orta will also be on view at FIAC on the stand of galerieofmarseille.http://www.fiac.com/galerie.html?ex=461#.UFMEI2i6T8s

Unlimited Bodies | Corps Sans Limite

Unlimited Bodies | Corps Sans Limite

13 October 2012 - 24 October 2012
Palais d'Iéna, Paris, Group Exhibition
France
Unlimited Bodies at Palais d’Iéna invites thirty international artists to engage sculpture in a one-on-one confrontation with its public. The exhibition highlights the metaphorical and allegorical transformations that occur to the body when it is treated as sculpture. Unlimited Bodies addresses the political body, the action and mobilization of citizens.

Lucy + Jorge Orta’s work Antarctica Fluvial Intervention Unit, evokes issues related to migration, refuge and shelter: “The third millenium belongs to mankind, who dream of great things”, is to be found inscribed inside the wooden boat. Accompanying this work will be Lucy + Jorge Orta’s Antarctica Passport Bureau. This work is at once an installation and participatory action. It proposes an amendment to Article 13 of the 1948 Universal Declaration of Human Rights - Art. 13:3 “Every human being has the right to move freely and cross frontiers to their chosen territory.” Visitors will be invited to register for an Antarctica World Passport, a precious, editioned artwork that will mark the visitor’s entry into the Antarctica world community. This work attests that the body and the body politic are inextricably linked.

Since 1959 the Palais d'Iéna is the headquarters of the Conseil économique, social et environnemental, third constitutional Assembly of the French Republic. These artists will move into the 1000 square meters of the Hypostyle room in the Palais d'Iéna for twelve days.

The scuplture-bodies of the show are of a human dimension and emphasize the formal analogy between sculpture and the human figure. The social and political dimensions of human beings are also part of sculpture's ambition. The displayed works directly question the place of the human being in today's world.

Open every day from 12am to 7pm. Monday 15 & 23 October 11am to 10pm

http://www.unlimitedbodies.com
Spirits of the Huveaune | La fée du vieux moulin - Gyptis

Spirits of the Huveaune | La fée du vieux moulin - Gyptis

13 October 2012
Marseille, valley of the Huveaune, Public sculpture commission
France

"Five public sculptures – Spirits of the Huveaune – take the form of female characters along the valley of the river Huveaune, situated between the spring, deep in the Provence Alps and the estuary at the Mediterranean Sea port of Marseille. The sculptures, based on historical texts, legends and stories about the valley, recount the feminine presence associated with the river. The legendry, supernatural and the imaginary that perpetuate the history of the river Huveaune are the sources of inspiration." Lucy + Jorge Orta

The Huveaune coastal river in eastern Provence originates in the Massif de la Sainte Baume and flows all the way to the Mediterreanean Sea at Marseille. Although it has long facilitated myriad human activities from agriculture to industry, the Huveaune is now little known and often ill-treated. Eager to highlight the river's rich natural and cultural heritage and to strengthen the bonds among the neighborhoods and municipalities that share it, the Association Rives et Cultures has commissioned a work by artists Lucy + Jorge Orta under the auspices of Fondation de France’s Nouveaux commanditaire and Marseille-Provence 2013, European Capital of Culture.

Titled Le Chemin des fées, the artists have devised a parcours of five sculptures that pay homage to the Huveaune's presence in four municipalities: la Fée de la source (Marie) – the Martellière, Saint-Zacharia; la Fée du pont (Ubelka) – Moulin Saint-Claude, Auriol; la Fée des berges (Manon) – Îlot des Berges Park, Aubagne; la Fée du vieux moulin (Gyptis) – Vieux Moulin Park, Marseille; and la Fée du lac (Ophélie) – Borély Park, Marseille.

These fairies, dreaming or alert, melancholic or resolved, invest these sites like genii loci and weave an unprecedented link between the past and the present. They invite visitors to discover the Huveaune through stories and to invent new ways to live alongside it. Referring to the universal water cycle, Le Chemin des fées aims to raise public awareness of environmental issues related to the river’s fate, thereby raising the question of water management in the future, here and elsewhere.

http://www.mp2013.fr/au-programme/nouveaux-commanditaires-2/lucy-et-jorge-orta-le-chemin-des-fees/

9th Shanghai Biennale

9th Shanghai Biennale

02 October 2012 - 31 March 2013
Shanghai, Biennale
China

For the 9th Shanghai Biennale, Lucy + Jorge Orta are commissioned to make three large-scale interventions for the Museum of Contemporary Art: OrtaWater Purification Factory, Antarctica World Passport Delivery Village and Nexus Architecture.

OrtaWater Purification Factory is a fully functioning, mobile water purification system. The work will draw from Shanghai’s Huang Pu River and will pump water up 20 metres into the museum’s third floor. It will be purified in a bamboo ‘factory’ and then clean drinking water snaked around the museum for the visitors to taste, enjoy and take away in a specially designed OrtaWater bottle.

Due to the effects of global warming it is estimated that sea levels will raise 0.5 to 1.4 metres over the next 100 years. Antarctica World Passport Delivery Village is comprised of a collection of small huts made from reclaimed materials, erected on stilts and interconnected by a raised platform of bamboo. A Metisse Flag will indicate the delivery bureau, where a passport officer will hand out the third edition of the Antarctica World Passport. Printed in Chinese for the occasion of the Shanghai Biennale, tens of thousands of passports will be distributed to museum visitors. New members will be welcomed into the Antarctica world community based on the founding principles of the Antarctic Treaty.

Nexus Architecture is both an installation and a performance. These ephemeral interventions draw performers and passers-by alike into choreographed scenarios, later documented in photographs and on film. By climbing into specially conceived suits and zippering the Nexus, participants challenge the premise of interdependence, asserting chosen community as a means to personal liberation.

Food Water Life | Tufts University Gallery

Food Water Life | Tufts University Gallery

06 September 2012 - 16 December 2012
Tufts University Art Gallery, Solo exhibition
USA
On September 6, 2012 University Art Gallery inaugurates the first comprehensive exhibition of the work of Lucy + Jorge Orta available to American museums. This exhibition will explore how the artists' unique visual language tackles the global issues affecting our lives. Three projects – Food Water Life - spanning close to two decades of collaborative work, will be presented: Hortirecyling (1997-2005), OrtaWater (2005-2007) and Antarctica (1990-2009).

Lucy + Jorge Orta’s artwork communicates widely to audiences beyond the field of contemporary art, demonstrating the importance of art as a creative agent for awareness and change. During the next three years, the artists will stage on-location workshops, ephemeral interventions, residencies and master classes that explore the crucial themes of the contemporary world: the community, autonomy, dwelling, migration, sustainable development and recycling.

This exhibition will tour to Zikha Gallery, Wesleyan University (January 22–March 3, 2013), Herbert F. Johnson Museum of Art, Cornell University (January 25–May 25, 2014) and Richard E. Peeler Art Center, DePauw University, Greencastle (February 5–May 7, 2015) with other venues to be announced.

http://curatorsquared.com/lucyjorge-orta-collaboration/http://artgallery.tufts.edu/exhibitions/traveling.htm
Antarctica World Passport | Delivery Bureau

Antarctica World Passport | Delivery Bureau

01 June 2012 - 09 September 2012
Festival of the World, Southbank Centre, Festival - New Commission
UK
As part of London's Festival of the World, thousands of visitors are arriving this summer at The Southbank Centre to join Lucy + Jorge Orta's Antarctica World Passport Delivery Bureau and to become global citizens.

The Antarctica World Passport Delivery Bureau, a huge labyrinth installation of reclaimed materials will issue 30,000 facsimile passport documents to the festival visitors aspiring to become a citizen of the new Antarctica world community. The applicants will join the tens of thousands of citizens who have already received an individual passport, an original artwork to be treasured and passed on the future generations as a testament to how art can change lives and what it means to be a citizen of the world.

The Antarctic Treaty signed in 1959 states that Antarctica is a common territory dedicated to cultural and scientific cooperation and all military activity is banned. Antarctica exemplifies a community that strives for peace and social progress. Originally commissioned by The End of the World Biennale, Usuahia Argentina, Lucy + Jorge Orta's Antarctica body of work developed from an expedition and installation conducted in Antarctica in 2007.

The Antarctica body of work has been touring the world. Of particular significance most recently are the two Festival of the World installations at the Southbank Centre—on the Festival Hall roof are raised 44 impressive flags that indicate the presence of the passport public engagement project inside the gallery. Antarctica is also the topic of two monograph publications and will be the subject of a installation in the Shanghai Biennale (Oct 2012) and a US tour from 2012-2015 as well as a major retrospective at Park de la Villette in Paris (2013-2014).
Antarctica World Passport | Metisse Flag

Antarctica World Passport | Metisse Flag

01 June 2012 - 09 September 2012
Festival of the World, Southbank Centre, Festival - New Commission
UK
The Southbank Centre opens the Festival of the World for the Diamond Jubilee Weekend with the unveiling of an outdoor landscape that visitors can explore for the duration of the three-month long celebrations. Bringing together artists from around the globe who are demonstrating that when people work creatively together, individual lives and communities can change for the better. Highlights include two ambitious new works from Lucy + Jorge Orta's Antarctica series: Métisse Flag and Antarctica World Passport Delivery Bureau.

The artists’ Antarctica World Passport Delivery Bureau, a huge labyrinth installation of reclaimed materials inside the Southbank’s Spirit Level Gallery will issue 30,000 facsimile passport documents to the festival visitors aspiring to become a citizen of the new Antarctica world community. The applicants will join the tens of thousands of citizens who have already received an individual passport, an original artwork to be treasured and passed on the future generations as a testament to how art can change lives and what it means to be a citizen of the world.

Their second artwork, a monumental crown of flags will be raised above the roof of the Royal Festival Hall. The Métisse Flag, which was first created for their Antarctic expedition in 2007, will stand proudly over looking the river Thames as a symbol of the festival, allowing all peoples to coexist harmoniously as the nations’ emblems merge to create a larger common identity.

The Antarctic Treaty signed in 1959 states that Antarctica is a common territory dedicated to cultural and scientific cooperation and all military activity is banned. Antarctica exemplifies a community that strives for peace and social progress.
Amazonia | Carbon 12: Art & Changement Climatique

Amazonia | Carbon 12: Art & Changement Climatique

04 May 2012 - 16 September 2012
Espace Foundation EDF Paris, Group Show
France
CARBON 12, at the Espace Foundation EDF presents the ongoing cultural and scientific projects of Cape Farewell through the works of five artists who have taken part in Cape Farewell’s expeditions and who have closely collaborated with leading climate scientists. Their resulting artworks and scientific research on exhibition encompasses biodiversity, atmospherics and oceanography — earth, wind and sea.

Lucy + Jorge Orta took part in the 2009 Andes Expedition, Cape Farewell's first expedition outside the Arctic, an 18 day trek through shrinking glaciers, cloud forests, lower forests, areas of deforestation and the Amazon. The results of this expedition and the work they undertook with the Environmental Change Institute at Oxford University was exhibited at the Natural History Museum in London in 2009.
Part of this exhibition Amazonia has been re-configured especially for CARBON 12 and a number of new works created in the series Perpetual Amazonia – the artists ‘cultural plot’ in the Peruvian Amazon.

Cape Farewell was created by the artist David Buckland in 2001 to instigate a cultural response to climate change. It is now an international not-for-profit programme based in the Science Museum's Dana Centre in London and the MaRS centre in Toronto. “The cultural shift required to build sustainable cultures will require the engagement of our best creative minds to address the causes of climate change and envisage, design and communicate resilient futures. The aim is to challenge, provoke and inspire audiences to think differently about our relationship with each other and the natural systems we inhabit.”
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