Studio Orta

Jorge Orta created an ephemeral work to celebrate the majestic floating city for his project representing Argentina for the 46th Venice Biennale, curated by Jorge Glusberg.

During three inaugural nights of the Venice Biennale, a silent Venetian cargo boat, carrying a giant PAE image projector, navigated the Grand Canal, passing the extraordinary eleventh-century Basilica di Santa Maria della Salute and the sumptuous palaces Palazzo Cavalli-Franchetti, Palazzo Bernardo, Palazzo Barbarigo, Fondaco dei Turchi, and Cà d'Oro. Using the gondola moorings at various points along the canal, these temporary platforms provided a stage from which light graffiti bathed the facades of the buildings. The surafce of the water, a mirror, reflecting unusual shimmering light onto the surface of the palaces.

The pictograms projected onto the Venetian palaces and churches were created during community workshops run by the artists with children from a village in Jorge’s hometown of Rosario and homeless youths in Paris. They depict personal belongings such as combs or seashells, which have been digitised using early computer graphic programs. Together they represent the silent visual language of marginalised communities.

I am, me, the Salute, the result of an act of grace. Don’t forget! Longhena, baroque and triumphant, conceived me so that the terrible plague of 1630 could cease, unforgiving and unforgettable. So what’s this reappearing, from time to time, on my stone skin, strange mixtures, coloured incandescence, I’m not offended by them! On the contrary!
--Bernard Heidsieck on the Basilica di Santa Maria della Salute